top of page

   Artist from Gran Canaria based in Tenerife. Spain. Crossed by the hybrid trans-antidisciplinarity. 

​​

-Drama studies in actors school (Tenerife, 2018-2022)

-Stage Creation. Juan Mayorga's Master (Madrid, 2023)

-Danced in Teatro Victoria, Teatro Pradillo, Escuela Vilarinyo and some others.

They hold two distinctions: in the Performing Arts and for the Higher Degree in Dramatic Arts.

​

​

  A work characterized by a strong performative nature and a distinct appreciation for visual and object-based aesthetics. Physical theatre, dance, pedagogy, dramaturgy, collective social practices… A stage creator and a thinker. Koset is experienced in pedagogical approaches that prepare the body and voice; with a diverse range of plastic and performative strengths. Thanks to their multidisciplinar education and thorough exploration, they got different paths to follow, very far from the academic standars.

​

   Alongside working on projects by national and international artists. They're supporting artistic movements sustained by social and political commitment, with a focus on gender identity, queerness and the body.​​ The latest projects explore body-objects and intimacy relations, through performative practises, connecting Barcelona, Berlin, Norway and Canary Islands.  

​

 

  Koset is part of an artistic project funded by Creative Europe, Moving Matters, which focuses on connections between non-urban peripheries.

  

L1000762-4x3-felixkayser.jpg

Koset says

               "Somehow auto-textuality gives voice to those who have been narrated by others, it's not a predictable way of storytelling. I'm interested in how to find a language that escapes market structures. Relationed with the intimate and what’s close to your own context. It’s kind of a bridge between the characters' inner struggles and the audience’s experience (if there's a real separation nowadays). Evoking experiences of unspoken communication that often permeate family dynamics, and deeper through the social and cultural conception of feminity in relation to silence."

bottom of page